The big selling point here is that Scarlett Johansson gets fully naked. Yes, she does.
Unfortunately, the movie itself is a long drawn out bore. It has style to burn. There are some decent ideas and a few interesting sequences. But, the mundane tone and the droning score (it's atmospheric at first, but, then grates) do little to enliven the tale. What modest symbolic import it has can't outweigh the dreary filmmaking.
This, in short, is the kind of Arthouse movie that gives Arthouse movies a bad name. Folks drawn to a theater to see Scarlett or interested in sci-fi will largely be disappointed. There were walkouts, and the crowd just sat there pretty quietly.
Despite the plentiful nudity, if this showed up at the Marathon, it would be the most divisive since DEMONLOVER.