End of the year wrap-up time. Tis the Season for Best of lists. Well, for pro critics at least --they get special screeners and screenINGS. Even living in L.A., there are still a
bunch of films I want to see before putting down a formal list. Some have still not be released in theaters even here.
Ed - where is YOUR list?
WHAT FILMS ARE ON YOUR LIST?
Now, because of a combination of my usual procrastination and the previous board's crashing, I never did do a Top 10 list for
2010. Until now..............
TOP 10 films of 2010
10. THE KING'S SPEECH - The best picture winner got a lot of flak from those who thought SOCIAL NETWORK was far superior. I have them in a virtual tie for the 10th spot on my list. The acting here, particuarly by Geoffrey Rush was impeccable and the production top notch. Tom Hooper's direction may not have been flashy, but he was unfairly tagged as unworthy of the Best Director Oscar.
9. MESRINE: PUBLIC ENEMY NO.1 & MESRINE:KILLER INSTINCT - A terrific pair of French crime thrillers by Jean-Francois Richet starring a magnetic Vincent Cassel as the title criminal. The studio made a curious decision in releasing them only a week apart, confusing audiences and asking them to basically see the films back to back. Why the rush?
8. GENIUS WITHIN: THE INNER LIFE OF GLENN GOULD (Michel Hozer, Peter Raymont) - The second brilliant film about the enigmatic piano master (the other, 32 SHORT FILMS FILMS ABOUT GLENN GOULD was an extraordinary docu-drama). This documentary evokes not just Gould's musicianship, but his personal passions as well.
7. I AM LOVE - A true Love It, or Hate It movie. Luca Guadagnino's Italian film is like an opera, visually and aurally stunning with a fierce performance by Tilda Swinton as it's center. The music by minimalist master John Adams will either have you swooning - or trying to cover your ears.
6. FISH TANK - Small British coming of age tale of a young woman sorting through her maturing years. Katie Jarvis is heartbreaking in the lead role, and this year's "it" actor, Michael Fassbender is creepily oily.
5. A PROPHET - Jacques Audiard's French entry in the Foreign Language Oscar race is another tight crime thriller, this one taking place mostly behind bars in a frighteningly real prison. Tahar Rahim is the prisoner "prophet" and Niels Arestrup (now in WAR HORSE) is the nasty crime boss behind bars.
4. MOTHER - Boon Joon-ho, Director of Marathon hit THE HOST, had an even more frightening 'monster' as the focus of this film - A mother who will do almost anything to save her son. Hye-ja Kim is a force of nature here, and the director lends a lot of visual style to a tale that isn't necessarily that compelling on paper.
3. THE AMERICAN - Perhaps the most hated film to top the box office in 2010. The Cinemascore rating given out by the nation's filmgoers was a D-. Yes, a
D MINUS! It's the second good George Clooney film where I saw a substantial number of moviegoers walk out and BOO at the end! (the other was Soderbergh's SOLARIS) A lot of the blame goes to the studio for selling this as a BOURNE type action flick. It's a moody arty exercise with a 70s or 80s vibe (similar to this year's much disliked DRIVE) by former Rock Video Director Anton Corbijn who did the terrific Joy Division film CONTROL. I'm really looking forward to his future films, for he has far more depth than the typical flashy MTV director (take that Michael Bay!).
2. VINCERE - Marco Bellocchio has been directing since the early 60s, but VINCERE is the work of a still vital filmmaker. A gripping drama about the illegimate son of Mussolini, features a pair of superb perfomances by the luminous Giovanna Mezzogiorno as the Dictator's mistress and Filippo Timi in a dual role as both Mussolini and his son. Stunning camera work by Daniele Cipri.
1. WINTER'S BONE (Debra Granik) - Readers of the old board will recall my admiration for this tiny indie. Features breakout performances by Jennifer Lawrence (X-MEN FIRST CLASS) and John Hawkes, in a story that's both a coming of age drama and a gripping thriller. While it was gratifying to see it get several Oscar nominations, it's too bad that most everyone just assumed that giving it nominations was enough of a reward. It was a great film, period. Big budget, Big Name Stars or not. Director Granik was born in Cambridge and went to Brandeis to boot.
Honorable Mentions: SOCIAL NETWORK, GET LOW, AGORA (the most criminally underseen film of the year), NEVER LET ME GO, CYRUS, 127 HOURS and LEBANON.
WORST FILM I SAW (There were probably many worse - I try and avoid as many bad films as I can!): ALL GOOD THINGS (and it wasn't actually poor, just mediocre).